Mike Staniforth

Mike Staniforth portrait

Emmy-nominated cinematographer

Gen-AI leader

AI consultant

The overlap

Broadcast Commercial Systems that

Cinematography credits
Selected proofCinematography / platforms / systems
  1. Recognition2024

    Emmy cinematography nomination

  2. Series proofSports Emmy

    All or Nothing: Manchester City nomination

  3. Broadcast scaleNetflix / Disney+ / Paramount+ / Prime

    High-end platform work

  4. Current roleAI consultancy

    Practical production systems, creative tools, and workflow implementation

NetflixDisney PlusParamount PlusAmazon PrimeAdidasNew BalanceDAZNByteDance
All or Nothing: Manchester City still or key artWatch trailer

Selected work

Public work. Broadcast weight.

Recognisable series, premium television, and working systems already in public.

Story / engine / audience

From story world to audience proof.

A real production operating layer: script, character sheets, image generation, Seedance video, owned publishing, shoppable IP, and analytics in one repeatable cadence.

What I build
A cinematic production desk with a camera, storyboard references, and a monitor
01Story

Lock the world before the workflow.

Script, world rules, episode logic, and approval beats give every later image and decision something concrete to protect.

A cinematic image-generation suite with visual variations on a large monitor
02Engine

Turn visual judgement into a repeatable system.

Character sheets, image generation, and Seedance video passes move through one owned scene canvas with visible review points.

A dark publishing studio with image-led screens and abstract audience analytics
03Audience

Publish, measure, and feed the learning back.

Owned pages, shoppable paths, SEO, and audience signals turn production output into proof the next creative cycle can use.

AND... ACTION

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